I confess to a panic attack the other day when I realized that not only am I behind on the promised scene, I cannot tamp down my anxiety to write it. The excuses are piling up—production, yadda, hurricane, yadda, production, yadda, nostalgia tour, yadda, yadda, yadda—and now the latest: a nasty flu, which I soothed […]
We’re back with my series on feeling my way through a draft of a new play. How to break through the block? In this installment, I’m looking at laying the foundations for an exploratory scene that might not necessarily make it into the play. This is my play about a man with an amazing memory, […]
Some years ago I came across a funny yet utterly serious book called “Worst Case Scenario Survival Handbook” by Joshua Piven—a guidebook on how to survive a series of unlikely disasters—from an avalanche to a shark attack to the crash of a jumbo jet. So I immediately bought a copy for an artistic director who has […]
Last week I wrote about an exercise from Michael Dixon to help raise the stakes in a scene. And here it is again: 1. Put two characters who share something in common in a place neither can leave. Write a scene in which the obstacles and stakes are high and clearly presented. Working […]
I have a play in my head that has frightened me for a long time because it will require considerable research to write authentically—and the stack of books I’ve accumulated to begin the work is a bit intimidating. Not that I can’t read; I figured that out when I was six, but there is a […]
Eric Barker asks us to consider whether we are more creative when forced to work – or whether we ought to wait until inspiration strikes. Citing Daniel Akst’s book Temptation: Finding Self-Control in an Age of Excess, he concludes that pressure to produce actually results in productivity. No surprise to me—I’ve long known […]